Platinum Rapper 1St Time REACTION to The Jam -Going Underground
Quick Overview
Krizz Kaliko reacts to The Jam's "Going Underground," initially unfamiliar with the British band but quickly appreciating the song's musicality despite struggling to fully grasp its artistic and anti-establishment lyrics. He finds the tune enjoyable, noting that music's energy can transcend lyrical understanding.
Key Points: Krizz Kaliko had no prior knowledge of The Jam but immediately recognized their British origin and 1960s style. He found the music video's visuals, including a red phone, Uncle Sam's eyes, and a mushroom cloud, to be highly artistic and symbolic. Kaliko struggled to understand the song's lyrics, pausing multiple times to decipher phrases like "dodging between the flak," which he interpreted as avoiding trouble. His wife, also present, agreed with his difficulty in understanding the abstract lyrical content. Despite the lyrical ambiguity, Kaliko praised the song's "good tune" and overall musical energy, stating that enjoyment doesn't always require full lyrical comprehension. He concluded that "Going Underground" is an "anti-establishment" song that requires listeners to actively decode its deeper meaning. The video's visual montage of political figures further reinforced its anti-establishment themes for Kaliko.
Context: This video features Krizz Kaliko, a multi-gold and platinum rapper, singer, songwriter, and producer, reacting for the first time to the 1979 song "Going Underground" by the iconic British mod revival band, The Jam. The original music video is known for its stark, minimalist aesthetic and politically charged, symbolic imagery.
Detailed Analysis
Krizz Kaliko, a multi-gold and platinum rapper, singer, songwriter, and producer, experiences The Jam's "Going Underground" for the first time. He immediately identifies the band's British origins based on their 1960s attire and visual style. Throughout the video, Kaliko expresses confusion over the song's abstract and artistic lyrics, often pausing to try and decipher their meaning, even consulting his wife for interpretation. Despite the lyrical ambiguity, he consistently praises the song's musical quality and catchy tune. He notes the anti-establishment themes conveyed through visuals like Uncle Sam, a mushroom cloud, and a montage of political figures, concluding that the song requires decoding due to its artistic nature. Ultimately, Kaliko emphasizes that music's inherent energy allows for enjoyment even without complete lyrical comprehension.