# Наследие музеев - не владение, а ответственность и справедливость | Светлана Кобжанова | TEDxAstana

Source: https://www.youtube.com/watch?v=AAIIlUeC8dk
Recap page: https://rapidrecap.app/video/AAIIlUeC8dk
Generated: 2025-12-16T17:08:23.752+00:00

---
## Quick Overview

Svetlana Qobjanova asserts that the museum's role is not ownership of heritage but a responsibility to preserve, restore, and communicate it, emphasizing that science and art, when combined, make museum exhibitions accessible, living, and significant for audiences worldwide, bridging the past and future through continuous work.

**Key Points:**
- The National Museum of the Republic of Kazakhstan is celebrating its 90th anniversary in 2025.
- The speaker highlights the importance of preserving and restoring heritage, viewing it as a responsibility rather than mere possession.
- The integration of science and art ensures that museum exhibitions become living and accessible to global audiences.
- The speaker cites examples like the portrait of Y. B. Shalbayeve, which was lost during the war but restored, and the integration of Western art concepts (like Warhol's soup cans) into Kazakh art exhibitions.
- The museum staff, including masters, scientists, psychologists, and diplomats, actively work to restore the connection between past and future.
- The speaker mentions that art created by Almagul Mendibayeva acts as a synthesis of traditional Kazakh knowledge (like yurt structure) and modern digital technologies.

![Screenshot at 01:50: A black-and-white portrait of a 19th-century noblewoman is displayed on the large screen behind the speaker, illustrating the historical artifacts and figures the museum works to preserve and present to the public.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-01-50.png)

**Context:** Svetlana Qobjanova delivered a TEDxAstana talk focusing on the evolving role of museums, particularly the National Museum of the Republic of Kazakhstan. She stresses that museums must actively preserve and restore cultural heritage, seeing this as a shared responsibility that requires collaboration between traditional experts and contemporary thinkers, including scientists, artists, and technologists.

## Detailed Analysis

Svetlana Qobjanova opens by welcoming the audience to TEDxAstana and immediately frames the role of the museum, specifically the National Museum of the Republic of Kazakhstan (which turns 90 in 2025), as a responsibility rather than ownership. She recounts the 90-year journey of the museum, noting that its core essence is the continuous work of collection, restoration, and preservation. She uses the example of a portrait by Karl Bryullov of Y. B. Shalbayeve from the 1840s, which was lost during the war but has since been restored, symbolizing the ongoing effort to reclaim lost heritage. Qobjanova argues that the fusion of science (research, cataloging, digital tools) and art makes museum work meaningful and accessible, creating a bridge between the past and the future. She shows examples of publications and exhibitions that blend traditional Kazakh art with contemporary global influences, such as Andy Warhol's soup can sculpture juxtaposed with Kazakh cultural symbols. Furthermore, she highlights the work of contemporary artists like Almagul Mendibayeva, whose art synthesizes traditional nomadic structures (like the yurt frame) with digital aesthetics and social commentary (like the 'Share Water' piece), demonstrating how museums foster dialogue between tradition and modernity. The speaker concludes by emphasizing that the museum staff acts as crucial intermediaries, connecting the legacy of the past with the expectations of the future audience.

### Opening and Museum History

- The National Museum of the Republic of Kazakhstan marks 90 years in 2025
- Speaker defines museum role as responsibility, not possession
- Mentions restoring lost WWII artifacts like the portrait of Y. B. Shalbayeve.

### Integration of Science and Art

- Science makes the museum living and significant
- Fusion of past (historical artifacts) and future (digital reality) is key
- Cites an exhibition comparing Kazakh traditions (yurt) with Western pop art (Warhol's soup cans).

### Contemporary Art and Global Dialogue

- Discusses Almagul Mendibayeva's work as a synthesis of traditional nomadic structure and digital aesthetics
- Showcases a textile piece titled 'Share Water' addressing contemporary issues
- Artwork is installed in both desert locations and museum halls.

### The Museum's Function

- Museum staff acts as mediators between departed generations and the living audience
- Continuously working to make exhibitions accessible and meaningful
- Encourages the audience to see the museum anew upon their next visit.

![Screenshot at 00:03: TEDxAstana branding and dates \(13-14 \| 09 \| 2025\) displayed on a lime green background.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-00-03.png)
![Screenshot at 00:08: Sponsors slide featuring Yandex Qazaqstan, Eurasian Machinery, and Shell Lubricants.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-00-08.png)
![Screenshot at 01:50: A black-and-white portrait of a 19th-century noblewoman displayed on the main screen, illustrating historical context for the preservation efforts discussed.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-01-50.png)
![Screenshot at 03:36: Speaker gesturing while discussing the museum's role in connecting cultures and time periods.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-03-36.png)
![Screenshot at 06:39: Slide displaying Andy Warhol's stacked Campbell's soup cans sculpture, used as a comparison point for Western artistic influence.](https://ss.rapidrecap.app/screens/AAIIlUeC8dk/00-06-39.png)