How to Tell Stories That Heal | Leah Lamb Interview

Quick Overview

Sacred storytellers function as seers by using their voice in service to life, consciously creating reality through language that speaks in symbol, metaphor, and archetype, acting as translators from the unseen realms to guide humanity through crises by focusing on pathways through devastation rather than repeating fear-based narratives. Leah Lamb emphasizes that the original role of the storyteller was sacred, involving healing and guidance, and that humans create reality through their words, necessitating discernment about what stories they choose to inhabit and transmit, especially during times of collective change.

Key Points: The etymology of 'crisis' means being at a fork in the road, presenting an opportunity to make a choice, which sacred storytellers must leverage to guide others. The original role of the storyteller was sacred, serving as healers and guides, contrasting with modern consumerized roles like marketers; ancient religions agreed the world was 'sung, spoken, and chanted into being.' Story is the 'Rosetta Stone from the unseen realms,' speaking through symbol, metaphor, and archetypes, allowing messages from spirit, ancestors, or guides to act as instructions for living. The brain is 'kind of dumb' and designed to survive, often leading to fight, flight, or freeze when surrounded by fear; consciousness, driven by story, must come in to drive the vehicle and choose the narrative one wants to live in. To tell visionary stories while grounded in devastation, one must practice deep listening to the greater family of being on the planet, recognizing the Earth itself is a healer designed to rejuvenate and survive. During the Topanga Canyon fires, community connection proved superior to official social services, as neighbors with different skills collaborated, including two former adversaries who fought the fire together, demonstrating real community shows up when inconvenient. When lost in a personal mystery, the prompt for healing is to avoid repeating old stories and instead ask the imaginal plane, 'Give me a medicine story for this time,' trusting what comes through surrender, often by beginning with 'Once upon a time.'