# What is your Frankenstein? | Aisha Al Emadi | TEDxGeorgetown U Qatar

Source: https://www.youtube.com/watch?v=6doXHRdI12I
Recap page: https://rapidrecap.app/video/6doXHRdI12I
Generated: 2026-03-12T16:05:45.911+00:00

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## Quick Overview

The speaker challenges the common perception of the 'monster' from Mary Shelley's Frankenstein, arguing that the creature was not inherently evil but became monstrous because no one allowed him to belong, suggesting that writing serves as the pathway to explore, embrace, and integrate these hidden, monstrous parts of ourselves.

**Key Points:**
- The speaker urges the audience to envision their 'monster'—the unacknowledged, unexpressed, or unexplored parts of themselves—as inspired by Frankenstein's creation.
- The key realization from reading Frankenstein was that the creature was not born evil but became monstrous due to a lack of belonging.
- The speaker admits that five years prior, she hid her excitement, self, and voice between the lines of her writing, which was filled with Disney princesses and other external narratives.
- Writing acts as a doorway, allowing individuals to explore, embrace, and integrate the 'monstrous' or hidden parts of their identity, which otherwise feel heavy and echo in solitude.
- The speaker encourages the audience to close their eyes and envision their own escape route—whether an imaginary doorway or an escape room—to confront these hidden aspects.
- The speaker concludes that writing is not just self-expression but self-formation, allowing one to create the world they find both inside and outside themselves.

![Screenshot at 00:06: The speaker begins her talk by urging the audience to envision a 'monster' that is not something external that scares them, but an internal, unacknowledged part of themselves, setting up the central metaphor of the presentation.](https://ss.rapidrecap.app/screens/6doXHRdI12I/00-00-06.jpg)

**Context:** This TEDx talk, delivered by Aisha Al Emadi at TEDxGeorgetownUQatar, uses the literary example of Frankenstein's monster to explore themes of self-acceptance, hidden identity, and the power of creative expression, specifically writing. The speaker recounts a personal turning point five years prior when she recognized that her early writing concealed her true self and desires, leading her to understand that the parts of ourselves we fear or suppress are often the ones that need acknowledgment.

## Detailed Analysis

Aisha Al Emadi begins her talk by asking the audience to envision the monster from Mary Shelley's *Frankenstein*, specifically the kind that lives undiscovered, unexplored, and misunderstood within one's mind. She notes that five years ago, her own writing—filled with external narratives like Disney princesses—was a way to hide her true excitement and self. She realized that the monster in the book was not inherently evil but became monstrous because society denied him belonging. This realization prompted her to see that we all carry parts of ourselves that feel unfinished or that we hide, fearing they won't last or won't belong. She built a barrier between her true self and others, including her parents, by writing about external things rather than her internal reality. The speaker posits that writing is the crucial tool for confronting this internal 'monster'; it allows one to explore, embrace, and hug those grotesque parts of the self. She challenges the audience to close their eyes and imagine their own escape routes—a doorway or an escape room—to confront these hidden aspects, suggesting that while external validation often focuses on others' lives, writing allows for true self-formation, creating the world both internally and externally. She concludes that writing is the doorway to integrating these hidden self-parts.

### Introduction

- The Monster Within: Inviting the audience to envision the monster from *Frankenstein* not as an external threat, but as the unacknowledged, unexplored part of the self
- The speaker shares that five years ago, she was hiding her true self in her writing, which was filled with external narratives.

### The Nature of the Monster

- Explaining that Frankenstein's creature was made monstrous by societal rejection and lack of belonging, not innate evil
- This parallels the speaker's own experience of hiding her excitement and true voice behind stories.

### Writing as an Escape and Exploration

- Asserting that writing is the pathway to confront and embrace the 'grotesque parts' of oneself that feel unfinished or hidden
- Writing facilitates self-exploration and self-formation, creating internal and external realities.

### Call to Action and Conclusion

- Asking the audience to envision their own 'escape route' (doorway or escape room) to face these hidden parts
- The core message is that writing is essential for facing and integrating the self, not just for self-expression.

![Screenshot at 00:02: The speaker, Aisha Al Emadi, standing on the TEDx stage with the 'GeorgetownUQatar' branding visible on the backdrop.](https://ss.rapidrecap.app/screens/6doXHRdI12I/00-00-02.jpg)
![Screenshot at 00:39: The speaker references Mary Shelley's \*Frankenstein\*, drawing a parallel between the creature's isolation and the audience's hidden selves.](https://ss.rapidrecap.app/screens/6doXHRdI12I/00-00-39.jpg)
![Screenshot at 01:08: The speaker emphasizes that the monster becomes monstrous because 'no one allows him to belong,' linking this to internal self-suppression.](https://ss.rapidrecap.app/screens/6doXHRdI12I/00-01-08.jpg)
![Screenshot at 06:25: The speaker holds a small object \(perhaps notes or a prop\) and states that the mirror we use to view ourselves does not show us our 'Frankensteins.'](https://ss.rapidrecap.app/screens/6doXHRdI12I/00-06-25.jpg)
